While many French patriots are familiar with this name, Colette is unfortunately not well-known as an author and icon outside of France. Many attribute this to the difficulty of translating her books into English and other languages, as some of the inherent poetry and meaning is lost or comes across awkwardly in another language.
As you may have seen from my recent social media photos, I have been involved with this project for the Meadowlands Museum as a volunteer Curator and spoke last week at the Museum. This project was like a dream come true in terms of being able to curate my own exhibit on fashion history! What surprised me the most was that the more I (and the wonderful exhibition team) dug into the textile industry of this region, the more there was to find. And not just in bits and pieces — more like an avalanche of information!
Me at the Museum for the Curatorial Talk on 6.2.2018. Behind me you can see a silk gown from 1904 (first made in 1888) and a silk plaid jacket from the late 19th century.
To start off, this video on the exhibition Wedding Belles that took place at the Hillwood Museum from 2011-2012, gives a great overview of the changing styles of wedding dresses. It presents three generations of women’s wedding attire from the Marjorie Merriweather Post family, 1874-1958 >> Wedding Belles
This month you may have noticed some posts on Femme Fashion Forward social media featuring images of objects in the Museum at Fashion Institute of Technology’s (FIT)s, The Body: Fashion and Physique exhibit, curated by Emma McClendon, which is open until May 5. If you have not seen it yet, I highly recommend you take a trip to the Museum at FIT! I want to round out this month by including some other objects in the exhibit from the late 19th to early 20th century, although the exhibit extends earlier and later beyond those dates. These selected objects from the exhibit highlight major differences between a stylish silhouette and physique from the 1880s-1910s and today, dispel some myths about corsetry, and may also be cause for reflection upon the ways in which some of these ideals have stayed with us through time.
Both corsets belong to the Museum at FIT: 98.29.4 and P91.43.2