There are several reasons why this month’s post will focus on the fascinating Inez Milholland. Not only did her efforts as part of the women’s suffrage movement inspire many, she also became a lawyer – a highly unlikely profession for a female — and was celebrated for her efforts during her lifetime as well as considered a martyr after her death! The interesting tie-in for fashion is in her stylish clothing and the change in attitude in Vogue‘s pages while covering the suffragette movement and Milholland.
This month I am highlighting the invention of a new product in the 19th century. Have you ever used the term mackintosh to describe a coat? I’ve used the term myself and was curious about the origins.
In this case, the product is actually mackintosh fabric which would be used in constructing the coat, although today the term is often synonymous with raincoat. The fabric is rubber coated and prevents rain water from penetrating its surface. In the Journal of Education in 1907, contributor R. W. Wallace wrote,
“If Charles Goodyear – the father of the rubber industry in America – could visit one of the great rubber factories of the country to-day, he would be astounded at the phenomenal development of the industry […]. To so many uses is rubber put to-day, that the standing problem in the business world on both sides of the Atlantic is how to get enough of the raw material to meet the ever-enlarging demand for rubber goods. There are indispensable to modern life in a thousand ways, contributing to its protection and comfort in more forms than one could easily catalog.”
While many French patriots are familiar with this name, Colette is unfortunately not well-known as an author and icon outside of France. Many attribute this to the difficulty of translating her books into English and other languages, as some of the inherent poetry and meaning is lost or comes across awkwardly in another language.
As you may have seen from my recent social media photos, I have been involved with this project for the Meadowlands Museum as a volunteer Curator and spoke last week at the Museum. This project was like a dream come true in terms of being able to curate my own exhibit on fashion history! What surprised me the most was that the more I (and the wonderful exhibition team) dug into the textile industry of this region, the more there was to find. And not just in bits and pieces — more like an avalanche of information!
Me at the Museum for the Curatorial Talk on 6.2.2018. Behind me you can see a silk gown from 1904 (first made in 1888) and a silk plaid jacket from the late 19th century.
To start off, this video on the exhibition Wedding Belles that took place at the Hillwood Museum from 2011-2012, gives a great overview of the changing styles of wedding dresses. It presents three generations of women’s wedding attire from the Marjorie Merriweather Post family, 1874-1958 >> Wedding Belles