Annette Kellerman was ahead of her time for her physical abilities in the water, her belief in the need for women to maintain a healthy body, and importantly in fashion by her swimwear. She seemed to live in a different era, undeterred by the formalities and restrictions, (whether real or self-imposed) that prevented most women from doing the same. In fact, many of things she did would never have occurred to most women of the early 20th century.
Originally from Australia, Annette took her talents worldwide, breaking swimming and diving records, traveling to various theater stages in Europe and the United States, and eventually made Hollywood silent films that showcased her talents. Hollywood later revisited her incredibly life story, and Ester Williams would channel Annette in The Million Dollar Mermaid (1952).
There are several reasons why this month’s post will focus on the fascinating Inez Milholland. Not only did her efforts as part of the women’s suffrage movement inspire many, she also became a lawyer – a highly unlikely profession for a female — and was celebrated for her efforts during her lifetime as well as considered a martyr after her death! The interesting tie-in for fashion is in her stylish clothing and the change in attitude in Vogue‘s pages while covering the suffragette movement and Milholland.
Happy Holidays to all Femme Fashion Forward readers! I decided to dedicate this post to the holiday season, and admittedly, primarily Christmas. I thought it would be interesting to compare holiday covers for Vogue and Harper’s Baza(a)z throughout the FFF timeline (1880-1930), and inevitably, the seasonal messages that were shown for December on major fashion magazine covers during this period were geared towards the celebration of Christmas if a specific holiday was mentioned.
Vogue and Harper’s Baza(a)r would also specifically publish additional “Christmas Gift” or “Christmas” editions around December. For Vogue readers around 1911, an extra $0.25 could purchase this special gift guide that “Let Vogue do your Christmas Shopping,” as their ads proclaimed. Acting as a catalog, Vogue selected fashionable items from “the leading shops of New York,” and would deliver them to the reader as selected with no extra charge for delivery. A foreshadowing of Amazon Prime? Not to be outdone, Harper’s Bazaar offered a similar holiday guide issue and gift ordering service.
I hope in analyzing the stylistic details of these covers from Vogue and Harper’s Bazaar (and Bazar) there is something interesting for all to take away regardless of personal holiday celebrations, in terms of insight into the art world and society at large. Overall, I think you’ll enjoy the following fashion magazine covers for the month of December!
This month I am highlighting the invention of a new product in the 19th century. Have you ever used the term mackintosh to describe a coat? I’ve used the term myself and was curious about the origins.
In this case, the product is actually mackintosh fabric which would be used in constructing the coat, although today the term is often synonymous with raincoat. The fabric is rubber coated and prevents rain water from penetrating its surface. In the Journal of Education in 1907, contributor R. W. Wallace wrote,
“If Charles Goodyear – the father of the rubber industry in America – could visit one of the great rubber factories of the country to-day, he would be astounded at the phenomenal development of the industry […]. To so many uses is rubber put to-day, that the standing problem in the business world on both sides of the Atlantic is how to get enough of the raw material to meet the ever-enlarging demand for rubber goods. There are indispensable to modern life in a thousand ways, contributing to its protection and comfort in more forms than one could easily catalog.”
One of the earliest queens of the silent screen, Theda Bara dominated the moving pictures through the mid and late 19-teens. The turning point for Bara, James Card, film historian, believed was her portrayal of a vampire seductress in A Fool There Was in 1915. This was Bara’s second film (in her first, The Stain, she played a bit part) and would begin a torrent of similar roles. This is also luckily one of her few surviving films, as most were destroyed during a Fox film vault explosion in 1937. In Card’s book, Seductive Cinema: The Art of Silent Film, he noted Bara was not the first to introduce female vampires to the silver screen, but she is probably the actress best remembered for this. The Vampire (1910), among a few other films, showcased a female vampire in various forms but Bara made such an impression that many often confuse her as the first. Bara’s name has now become synonymous with the term vamp.