Category: Exhibitions

Historic Speaker Series: Clothing and Textiles of the Meadowlands 1890-1915

Historic Speaker Series: Clothing and Textiles of the Meadowlands 1890-1915

This month, I gave a talk on Zoom as part of the Meadowlands Museum‘s Historic Speaker Series! This talk covered information from the 2018 exhibit at the Museum, A Stitch in Time: Clothing & Textiles of the Meadowlands,1890 to 1915.

A few highlights from the talk are shown in this month’s post for anyone who was not able to tune in virtually covering! The focus of the highlights is on bleacheries, silk production, and embroidery of the Meadowlands region.

The exhibit, and subsequent talk, is meant to emphasize the power and peak of the textile industry in Northern New Jersey during this period. While most might think of New York City as dominating the garment industry, Northern New Jersey’s silk production and embroidery work were unparalleled in the country at this time. NYC may have dominated the garment trade in terms of completing and selling finished garments, but Northern NJ was a giant in wool and silk fabric production, mechanized embroidery work, and played a significant role in other areas of textile and notion production. The exhibit and talk also bring to light some beautiful garments from the Museum’s collection and how these would have fit into the larger fashion picture, in terms of silhouette and style.

A close-up of the embroidery on this lingerie dress – discussed later in the post

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Staying Home: 6 Fashion History Experiences from the Couch

Staying Home: 6 Fashion History Experiences from the Couch

For those looking to add some fashion history to their week after working hours (beyond shows and period films) here are some wonderful free options! As most of the United States is still under strict stay-at-home orders, as well as many other parts of the world, hopefully these virtual experiences can act as a stand-in for actual visits to museums, libraries, or other institutions for the time being.

Delivered straight to your laptop or smart device, this wide range of offerings will provide a way to engage with history from the safety of your home:


1. FIT’s Fashion History Timeline

Fashion History Timeline
screenshot by FFF, https://fashionhistory.fitnyc.edu/, 2020

Peruse the Fashion History Timeline on the Fashion Institute of Technology’s Website: https://fashionhistory.fitnyc.edu/

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Ballerina: Fashion’s Modern Muse; Exhibit Highlights

The Museum at FIT recently opened Ballerina: Fashion’s Modern Muse on February 11 (open until April 18, 2020), curated by Patricia Mears, and features a variety of stunning ballet and ballet-inspired ensembles. The highlights in this post will focus on the items on view that fall within 1880-1930.

Dance has always been a wonderful way to evoke emotional and expression through movement. Those movements, of course, accentuated by the costumes the ballerinas wore. While ballet is seen as one of the ultimate feminine art forms, the physique and training requires a toughness that parallels the athleticism of any professional athlete along with a theatrical component. Costume can set the mood of the scene and create an allure. The Museum notes, “So profound was ballet’s impact that it asserted influence on many fields of creativity, one of the most important being fashion.” For many years, ballerinas’ costumes reflected current fashion, with beautiful feminine imagery, but had little impact on other realms of creativity.

Ballerina Fashions Modern Muse

This post will highlight objects from the exhibit up until the 1930s. The Museum notes that the 1930s were the era of the turning point in which “balletomania” took over, largely due to the influx of Russian dancers on the stage, and ballet became an influence for couturiers rather than just reflecting current styles (but acknowledging the decline of the ballerina as muse beginning in the 1980s).

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French Women, Fashion, and the First World War; Exhibit Review

French Women, Fashion, and the First World War; Exhibit Review

If you have a chance to see this exhibit before it closes on Jan. 5 — make your way to the Bard Graduate Gallery! The interplay and tension of war and fashion for French women and the overarching concepts are phenomenal! The exhibit opened on Sept. 5 and was curated by Maude Bass-Krueger and Sophie Kurkdjian. This review will highlight some of the sections and objects on view.

The exhibit begs the question in its opening text:

“What happened during the four years of the war [1914-1918] to create such a vivid shift in fashion, and what impact did this shift have on French women?” 

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Callot Soeurs, Evening Dress, Paris, 1915-1916, silk & metallic thread, The Costume Institute, The Metropolitan Museum of Art, C.I.51.97.1a,b; photo by FFF

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Little Ladies: Victorian Fashion Dolls and the Feminine Ideal; Exhibit Review

Little Ladies: Victorian Fashion Dolls and the Feminine Ideal; Exhibit Review

Currently at the Philadelphia Museum of Art, there’s a lot of buzz surrounding the Fabulous Fashion: From Dior’s New Look to Now exhibit. Perhaps less known is Little Ladies: Victorian Fashion Dolls and the Feminine Ideal exhibit, on view now through March 3, 2019, curated by Kristina Haugland.

Little Ladies proved to be a hidden gem (and also more closely in line with the FFF timeline). Although most of the pieces date around the 1870s, many of the ideals and pieces themselves would have still been relevant and used in the 1880s, the beginning of the FFF area of study, though some of the silhouettes would have changed.

marie antoinette doll
“Miss Marie Antoinette” Fashion Doll’s trunk, clothing, and accessories, 1870s, France

The exhibit makes the point that these dolls were instructional in the sense that they provided young girls with what to expect in marriage and coming years. Beautifully ornate and detailed, the dolls provided a counterpart to written materials on how a lady should act, what she should wear during very specific times of day (down to the handkerchief placed in her pocket and the bustle under her skirt), and the realms in which she should primarily occupy herself.

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