A few highlights from the talk are shown in this month’s post for anyone who was not able to tune in virtually covering! The focus of the highlights is on bleacheries, silk production, and embroidery of the Meadowlands region.
The exhibit, and subsequent talk, is meant to emphasize the power and peak of the textile industry in Northern New Jersey during this period. While most might think of New York City as dominating the garment industry, Northern New Jersey’s silk production and embroidery work were unparalleled in the country at this time. NYC may have dominated the garment trade in terms of completing and selling finished garments, but Northern NJ was a giant in wool and silk fabric production, mechanized embroidery work, and played a significant role in other areas of textile and notion production. The exhibit and talk also bring to light some beautiful garments from the Museum’s collection and how these would have fit into the larger fashion picture, in terms of silhouette and style.
This month’s post follows suit from last month’s The Hat-Pin: Fashionably Dangerous. Below are laws and arrests as related to the hat-pin and other fashion items considered morally corrupt, impeding, or dangerous to society….
1 Shorten and Cap those Hat-Pins
As the hat-pin became a formidable preventionary tactic from lecherous men, some long hat-pins became worrisome to the public for the potential damage they could inflict. Cities began enacting laws that would regulate the size of the hat-pins to prevent more serious damage. Check out some of the laws that were passed, most of which are noted in the book, The Hatpin Menace:
March 1910 – Chicago passed a law that banned any hat-pin longer than 9 inches.
April 3, 1913 – A New Jersey law stated that any hatpin which could inflict a laceration upon another person needed to be covered with a protective tip. Any violators would be fined between $5-$25.
April 12, 1913 – In Massachusetts, a law went into effect that made it illegal to wear a hat-pin that extended ½” beyond the hat being worn, unless the end of the hat-pin was covered with a protective tip
While hat-pins are no longer considered a necessary finishing touch on our ensembles today, for women in the 19th century, and until the popularity of the close-fitting cloche hats of the 1920s, they certainly were!
Hat styles changed continuously, reaching their most dramatic proportions in the early Edwardian era, around 1910. The hat-pins this post concerns are those shaped like a long needle. This would have pierced the back or side of the hat material (like a needle threaded through fabric), grabbed the hair of the wearer underneath for stability, and then pierced through the hat again with the middle of the pin covered by the hat material. This simple method secured the hat to the wearer’s head and left both ends of the pin exposed, which provided an opportunity for embellishment.
A hat-pin could be a luxurious finishing touch or an innocuous practical measure, but they could even be used as a weapon in a pinch! More like a needle than a knife, hat pins could still inflict damage if necessary. There are actually accounts of hat-pins used as a weapon and it was alluded to in many films and stories.
Annette Kellerman was ahead of her time for her physical abilities in the water, her belief in the need for women to maintain a healthy body, and importantly in fashion by her swimwear. She seemed to live in a different era, undeterred by the formalities and restrictions, (whether real or self-imposed) that prevented most women from doing the same. In fact, many of things she did would never have occurred to most women of the early 20th century.
Originally from Australia, Annette took her talents worldwide, breaking swimming and diving records, traveling to various theater stages in Europe and the United States, and eventually made Hollywood silent films that showcased her talents. Hollywood later revisited her incredibly life story, and Ester Williams would channel Annette in The Million Dollar Mermaid (1952).